The Novel of Promise competition is open again!



literary agency, writer's guide, professional editor, book editor

 


 

"Robert Buckland is a superb editor and effective literary agent. He has helped me edit, design and publish three books and literally transformed my writing - truly translating my thoughts into print - then recently oversaw the development of my commercial website. If you want to communicate effectively through the medium of language, ask for Robert's help. You can't go wrong."

~ Dr. Barry Lycka, MD FRCP
Edmonton, Alberta

 

 


OCEAN COOPERATIVE ANNOUNCES THE SUMMER 2007
NOVEL OF PROMISE AWARD

Ocean Cooperative Novel of Promise Award




 “Publishers need to see this work, though it may be  too much for the weaker among them. Is it gangsta lit? Erotica? Romance? It’s all of these, in fact, but first and foremost a galloping historical ride through the bowels of nineteenth-century America.
The Squalor of Dreams
smacks your face with race, prostitution, abortion, godlessness, love and hope. 
The voice of its protagonist, Lala Concepcion King, is going to stick with you.”


Judge for yourself.


The Announcement


Read the winning chapter


Read an interview with Nicki Alexander



Read the Spring 2007 winning entry.

MY GREATEST HITS

The first chapter of Dan Whipple's wry murder-mystery spanning the decade of the sixties.

Are you working on a novel a publishable as these?

Submit your own chapter to the competition.




If you're working on a book manuscript or perhaps contemplating a book-writing project, do come in. I think you'll find this site both interesting and useful -- especially useful if you're hoping to avoid being misled by the proliferation of editing and publishing agencies on the internet. But whether you read this entire page or not, you have nothing to lose by picking up your telephone right now and speaking to me directly. Writing and editing are highly personal services. Let's talk about it.

1-888-377-7007


 
JANUARY 2007 PRESS RELEASE

JULY 2007 PRESS RELEASE



Who am I?

Like you, I write. But my own writing is subordinated to my work with other authors. Some of these have signed contracts with publishers and have received advances. Some are struggling through the long process of creating a book. Some are wondering if they should begin.

When I started an on-line editing service in the middle 90s, there were only a few dozen of us in the world. Now the web offers thousands of "editors" eager for your business and, frankly, it's difficult to tell who's who from the mere appearance of their web sites. In response, I've gradually taken more contracts with publishers, as in the last year, during which I've written or edited three books for Random House.

But I've never lost my interest in working with new authors. I guess, somewhere inside, I have a teacher's heart (but without a teacher's union). And as the publishing environment has changed, I've responded by creating the Ocean Cooperative Literary Agency to extend a hand to authors in search of the holy grail: a published book.

Here's a CV, if you feel that'll help.

 

 

 

Who Are You?

I base my observations on the thousands of people who have contacted me over the years and the hundreds who have become my clients. You may recognize yourself as resembling one of three groups of people whom I hear from.

The seeker of validation
You have written a book or part of a book and want only that someone should say something nice about it. The good news for you is that there are thousands of agencies and "editing" services out there who want to say nice things. More soberingly, they want you to pay them to say these things.

The seeker of knowledge
You have formed the opinion that writing is teachable and learnable -- something not unlike learning to play the piano -- and you want to learn. This is a small, rather exclusive group, but working with such people is a joyful experience for someone like me.

The seeker of publishing success
If you're one of these pragmatic souls you're not hoping to be a better writer. You're hoping to get your damn book published and I don't blame you. We work together to see it accomplished.

 

 

 

What Do I Do?

At first, I worked exclusively as an editor. This grew in time into a deeper involvement with some clients: I became a writing mentor, a coach, a guide, sometimes almost a writing partner.

But the publishing world is so much changed in recent years, I found myself drawn into expanded roles. I began to construct book proposals for my authors. I began to use my design skills for covers. I organized self-publishing ventures and web promotions.

Through all this, though, the pleasure of working with and encouraging writers never diminished.

 

 

 

How Do You Choose?

I don't envy you the task. It's extremely difficult to tell a real editor and writing mentor from the many "editing" services that are vying for your money. Here are a few pointers.

The English language is not a computer component.
I'm all for multiculturalism and globalization, but the fact is, few people who acquire English as something other than their mother tongue can ever hope to properly edit English writing. Needless to say, such aspiring editors offer their services at awfully low rates. Alas, you can't learn to fly from a blind pilot, even if he's been to navigation school. As far as reasonably possible, choose only editors with whom you can communicate directly -- not through an intermediary company -- and whose direct correspondence suggests that they are fluent native speakers of English.

The editor is not a sausage machine.
Watch out for the "by the word" services. Yes, some legitimate editors charge by the page, but this policy is best applied to simple line editing. Think about it. Many writers of both fiction and non-fiction are troubled by structural problems. Everyone has a unique approach. How can this be addressed by the word, or even by the page?

Avoid shock therapy.
Make sure you'll be able to monitor the process of your editor or guide. You certainly don't want to open up his big surprise when he's done and discover he took the wrong approach.

Check the poke for a pig.
Insist on a sample of your editor's work on your writing before he or she begins. If something more than editing is involved, your prospective writing coach should be prepared to devote some free time to understanding your work and at the very least discussing it with you. If a writing consultant is unwilling to do this, you can be sure that person is trawling for easy catches. Try not to be one of them.

Decorations and medals?
Some on-line editing services make a big deal out of the academic credentials their editors are supposed to have. No doubt many do have these credentials. Unfortunately, writing and editing skills are not strongly correlated with academic degrees. Take my word for it: I've been editing doctoral dissertations for years. If you are concerned about your editor's ability before you see his or her work, your only realistic hope is to contact his or her former clients. Any experienced editor has enough of these that some will be willing to testify. For the record, I'm a graduate of McGill University, Montreal.

The artist as editor
Some editors and mentors boast about their own publishing records. It goes without saying that a published writer may have something valuable to offer. But again, consider the claim carefully: you're not asking this person to write their book for you. You're asking them to help you write yours. They may be psychologically equipped to do this, or they may be entirely unsuited for a nurturing relationship of this sort

 

 

 

How Do I Work?

My own system evolved through my years of work on the internet with many hundreds of clients.

I always provide a free sample of my work on my prospective client's writing project.

I only charge for my time.

I only do as much at any one time as my client requests: it can be one hour or many hours.

I receive the submission electronically, am paid electronically and return the work electronically. These processes are instantaneous. That's the beauty of the internet and my clients and I take full advantage of it. We both know at all time exactly where we stand.

 

 

 

Where Do We Go from Here?

If you're in North America, call me for free. Otherwise, e-mail me. I strive to respond immediately to everyone and we'll talk about your project.

Send me a excerpt of your work (if you've already begun) and tell me what you hope for. I'll attend to it right away.

 


 

Call me!

 

 

Robert Buckland

My office telephone number is (613) 659-3666

You can call me toll-free from anywhere in North America at
1-888-377-7007

You can e-mail me at: words@oceancooperative.com

You can write me at: 640 Sand Bay Road, Lansdowne, Ontario, Canada K0E 1L0

 

 


 

 

If you've arrived at this page from outside the Ocean Cooperative web site, click here to go to my home page and learn more about what I may be able to offer.